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> Barcelona: 'That's where it all started' > Horta de Sant Joan, Gósol and Ceret > An Innovative Genius dilluns, 29 de maig de 2006
This year is the 125th anniversary of the birth of Pablo Ruiz Picasso, one of the most outstanding geniuses of the 20th century and of the field of contemporary art. Fittingly, the Picasso Museum of Barcelona and the city council have organised Picasso 2006 BCN which shows the close link between the painter from Malaga and the Catalan capital.
Picasso 2006 BCN also marks the centenary of Picasso's stay in Barcelona and in the village of Gósol in the Pre-Pyrenees of Catalonia, in the foothills of the Pedraforca Mountain. The artist stayed in both places after arriving from Paris, just a year before painting one of his most important works, 'Les Demoiselles d'Avignon', a precursor to the Cubism movement. Picasso 2006 BCN includes, amongst other events, exhibitions, performances and lectures. There are six main exhibitions: 'Picasso. The Passion of Drawing', 'The Picassos of Antibes', 'Picasso and the Circus', 'The Picasso Museum Collection, A New Look', 'Picasso, Man of a Thousand Masks', and 'Picasso's Barcelona'. The first of the exhibitions closed last month, while the others are already open or will be opening over the coming months. Picasso 2006 BCN has three objectives: to make the public more aware of Picasso's relationship with Barcelona (and with other parts of the country), to highlight the purpose of the Picasso Museum, and to commemorate an artist who revolutionised 20th-century art.
Barcelona: 'That's where it all started'
+ Picasso 2006 BCN shows the close link between the painter and the Catalan capital.
'That's where it all started… That's where I understood how far I could go.' Picasso's words referring to Barcelona are testimony to the influence the city had on his artistic career. Barcelona was the bridge between his early training and Paris, the then-world art capital. The modernist circle gathered at a tavern in Barcelona called Els Quatre Gats (The Four Cats) which opened the doors of Modernity to Picasso. Many years later, in 1963, the relationship between Picasso and the city was strengthened with the opening of the Picasso Museum, which was only possible because of the artist's own desire and the tenacity of Jaume Sabartés, from Catalonia and Picasso's first private secretary.
Horta de Sant Joan, Gósol and CeretHowever, Picasso's relationship with the Catalan Countries is not limited to Barcelona. Mention cannot but be made of three other 'Picassonian' places: Horta de Sant Joan (Terra Alta), Gósol (Berguedà) and Ceret (Vallespir). Picasso stayed twice in Horta de Sant Joan, the first time in 1898-1899, invited by his friend, Manuel Pallarès, and then again in 1909, where he painted Cubist landscapes. In 1906 he went to Gósol, a village which he depicted in ochre colours and in a style marked by Mediterranean Classicism, and he spent the summers of 1911-1913 in the company of a group of artists in Ceret.
An Innovative GeniusBorn in 1881 in Malaga (Andalusia), Picasso was a radically innovative and multi-faceted artist with a huge output which included paintings, drawings, sculptures, engravings and ceramics. After his famous Blue and Rose Periods, he started the highly influential Cubist movement together with Georges Braque, and we can see in Picasso's work the footprint of other avant-guard movements such as Surrealism and Expressionism. Picasso sided with the republican cause during the Spanish Civil War from 1936-1939. His most famous work is the enormous mural, 'Guernica', a universal symbol of the horror and barbarity of war, which he painted after the fascist bombing of the Basque town of the same name in 1937.
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Investiga
> Calendari de Picasso 2006 BCN.
> Una cronologia de la vida de Pablo Ruiz Picasso.
> La col·lecció del Museu Picasso de Barcelona.
> Tomb virtual pel Museu Picasso de París.
I també...
- Una aproximació al cubisme.
- Picasso i Gósol, segons l'escriptor Josep Palau i Fabre, expert en l'artista malaguès.
- Cop d'ull al període 'gosolà' de Picasso.
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