|
|
|
> Beginning of the Impressionist influence > Father of modern painting > Artistic works dijous, 9 de novembre de 2006
This year marks the hundredth anniversary of the death of the Provençal painter Paul Cézanne (1839-1906), considered the father of modern painting. The event has been marked in a Cézanne Year organised with a particular focus on Aix-en-Provence (Occitania), the artist's birthplace.
The central pillar of the programme, which began at the start of 2006, was the exhibition 'Cézanne in Provence', held at the Granet Museum in Aix-en-Provence from June to September, which offered the chance to view over a hundred of the painter's works connected with the town of his birth and the surrounding area. However, the Cézanne Year will not be over for another two months yet, and has by no means been confined to Provence. London's National Gallery, for example, has also joined in the celebrations with its show 'Cézanne in Britain', open until 7 January 2007, which brings together a number of paintings from various British collections. Naturally, the main aim of this commemorative season is to focus on and publicise a figure who, while he only achieved recognition in the later years of his life, nonetheless played a pivotal role in the advent of Modern Art, through his great influence on such painters as Pablo Picasso and Henri Matisse.
Beginning of the Impressionist influenceAgainst the will of his father, a hatter turned banker who tried to push him in the direction of the law, Paul Cézanne succeeded in dedicating his life to his great passion: painting. His first visit to Paris came in 1861, and for some twenty years he was to divide his time between the French capital and Provence. It was in Paris that he met artists such as Camille Pissarro, Alfred Sisley, Pierre-Auguste Renoir and Claude Monet, who had created a new movement: Impressionism, based on the depiction of light. Cézanne took part in the first Impressionist exhibition in 1874.
Father of modern paintingOver time, however, Cézanne would gradually move away from the Impressionist aesthetic. An introverted, solitary figure who was far from at ease in Parisian high society, in late 1870 he took refuge in his beautiful homeland of Provence, where he developed a style which focused more on form and colour than the expression of light, a style which was to have a decisive influence on such avant-garde movements as Fauvism and, above all, Cubism.
Artistic worksCézanne's works feature repeated motifs which bear witness to his apprentice years: still life ('The Blue Vase'), portraits and self portraits, bathers ('The Large Bathers'), card players and Mont Saint Victoria, the symbol of Provence which dominates the Aix skyline. One of his most famous works is the version of the Card Players painted between 1890 and 1895.
|
Investiga
> Breu qüestionari sobre Paul Cézanne.
> Les pomes i les flors de les seves natures mortes, totes diferents. Vegeu, si no.
> La versió més cèlebre d'un motiu prou repetit: els jugadors de cartes.
> Apunt sobre aquesta pintura.
I també...
- Cézanne, precursor del cubisme.
- El seu talent, vist amb lupa.
- Unes quantes obres cabdals de l'art postimpressionista.
Portada |
Europa Press |
El Punt |
La premsa |
Especials |
Diari de l'escola |
LesFinances.info |
Editorials |
Mail obert |
Els blocs |
Lletres
Tecnologia i ciència | Solidaritat | Cap de 7mana | Campus | El 9 | Presència | Fòrums | Enquestes | Xat | Correu
Traductor | Edicions en Pdf | Wap-pda | Biblioteca | Lletra més grossa
Tecnologia i ciència | Solidaritat | Cap de 7mana | Campus | El 9 | Presència | Fòrums | Enquestes | Xat | Correu
Traductor | Edicions en Pdf | Wap-pda | Biblioteca | Lletra més grossa
Què és VilaWeb? Publicitat Mapa web Contacte | Una web de Partal, Maresma i Associats, S.L. |